Introduction to digital curation weeks 6-8

For the record…

Week 6 was on “the digital curation worldview”, looking at two theoretical models that are starting to become “if not the ‘orthodox’ view at least the reference from which all deviations are measured”:

  • the OAIS Model (Open Archival Information Systems Reference Model ISO 14721:2003, recently revised as ISO 14721:2012 – developed by individuals interested in space data and information transfer systems
  • the DCC Lifecycle Model and glossary – developed more from within the archive community

The digital curation profession is made up of those whose primary role and job it is to ensure the ongoing accessibility of digital material in all its different forms, from data used in research, to records of businesses and individuals, to ebooks and ejournals, to software and computer games. It is still very much in a process of formation from and within many more established workgroups, including librarians, archivists, museum curators, researchers, computer scientists and IT professionals.

So not my worldview…

Week 7 looked at the digital curation community and its spaces, ” sites of community activity, shared resources and the active participation of individuals as they strive to keep up to date with developments and learn from each other”. This need not trouble us further.

Week 8 looked at the competencies and skills deemed necessary for those working in digital curation, referencing two frameworks:

There’s a Twitter chat on 30 June, with five questions:

  • What is digital curation? (definitions should be no more than one tweet long)
  • Has (and, if so, how has) your sense of what digital curation is changed as a result of this course?
  • How do you think ‘the general public’ view digital curation?
  • How can digital curation be made more mainstream?
  • What (if anything) will you be doing to interest and inform others in and about digital curation?
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